Showing Records: 11 - 20 of 236
And Should A Deluge Break Loose, 1981
Introductory text, vocal score with accompaniment, and vocal score.
And Yet, 1980
2-Voice Canonic Song from Psalm 13 for Assembly and Unison Choir with Piano Accompaniment. Introductory text, vocal score with accompaniment, and vocal score set two ways.
As Long As Earth Sustains All People, 1985
Introductory text, vocal score with accompaniment, and vocal score
Ave Maria : Chant: Mode I
Ave Maria : Chant : Mode I / Tomas Luis da Victoria ; Richard Proulx. This engraved score is attributed to Tomas Luis da Victoria. The dynamic and part assignments written into the work in black pen, however, could very well belong to Proulx. The author o
Beloved Molder, 1988
After Lassus Célébrons sans cesse, for Unison Choir and Assembly in 4-voice canon with Keyboard Accompaniment. Introductory text, vocal score, suggested accompaniment.
Benedicamus domino : the rule of the heart, 1998
Benedicamus domino : the rule of the heart / Richard Proulx. Publisher's no.:G-8041 OVERSIZE. This work was written in 1998 for mixed voices, flute, strings, and organ. This Proulx original was performed in a Proulx- directed "Sacred Music Symposium" on M
Benumbed and scornful, 2022
for SATB choir and assembly with organ accompaniment Introductory text, vocal score with accompaniment, and vocal score
Bill Tamblyn, "A Window on the Music of Bernard Huijbers", 2021-11-30
Published and unpublished documents about the work of Huijbers and Oosterhuis.
Bill Tamblyn, "Music for Ritual" , 2020
CONTENTS: Bill Tamblyn Music for Ritual, Part One by Tony Barr with Bill Tamblyn. I. Who is Bill Tamblyn -- II. Orogenesis- birth of a piece -- III. The Early Church Music Scene in the UK -- IV. Bernard Huijbers -- V. The Eclectic Composer -- VI. Distinguished church musician in Oregon. -- VII. The Ritual Composer. -- Appendix
Bill Tamblyn, "The School of Bernard Huijbers: Bill Tamblyn in Conversation with Tony Barr", 2021-11-28
§ The Back Story
The Context
The Impact of Huijbers on the English Church
a) around the time of Vatican II
b) applying the principles
c) resources for worship
§ The Bernard Huijbers Praxis
a) The Performing Audience
b) elementary music: melody, rhythm and formula technique
c) form follows function
d) integration
e) idiom and forms
§ The Need of a Critical Catalogue
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